Chanel To Open Shanghai Boutique

chanel-boutique-shanghai-peninsula

December 3 2009, a 5,160-square foot boutique, brimming with art and hosting a luxurious pre-fall collection will mark the opening of the new Chanel boutique in Shanghai. Placed in the Peninsula Hotel on the famous Bund river frontpromenade, and designed by architect Peter Marino, the Shanghai boutique promises an interior filled with the finest hand picked antiques, site-specific work from commissioned contemporary artists, and giant strands of glass beads, aimed at reflecting Coco Chanel’s original necklaces.

The salon-style boutique will be made up of rooms echoing the details of the founding designer’s famous Rue Cambon apartment, with rooms devoted to ready-to-wear, evening wear, accessories, shoes, fine jewellery and watches. Adding to the Shanghai delight will be an exclusive VIP room, and an ‘ultraluxe gallery’, featuring shoes and bags made by Chanel’s couture ateliers.

As if the in-store environment were not enough to impress, Lagerfeld will be showing his latest collection, themed ‘Paris-Shanghai’, accompanied by a short film also directed by the perfectionist designer.

Hong Kong Consumers are spending as usual in the current economy

hongkong-consumers

Seventy-seven percent of Hong Kong consumers are spending the same on necessities while 54% continue to spend on luxury items despite the economic downturn, according to a global survey by leading market research firm Synovate. Interestingly, when asked whether they are worried about the economy, 58% of consumers say they are, but they just can’t stop spending.

Synovate surveyed more than 17,300 people across 26 markets and found that people are regaining their positive outlook on the economy, becoming more optimistic for themselves and their country’s economy.

Spending as usual

This latest survey shows that, while not many people are spending more in the downturn, the majority is maintaining their usual habits. Hong Kong consumers are spending the same on categories such as staple food items (86%), hot beverages like coffee and tea (68%), dairy products (66%), cosmetics (58%), and healthcare products (53%).

Brendan Shair, Managing Director of Synovate in Hong Kong comments: “The economic climate is surely not as good as last year. However, on any regular day when you go to the markets and some of the shops, it is still buzzing with people. This reflects in the high percentage of people saying they have maintained the same spending levels when it comes to necessities (77%) and luxuries (54%). This is good news for many companies.”

Hong Kong consumers’ overall monetary habits have not changed much either.

Shair continues: “After SARS and the previous Asian financial crisis, people in Hong Kong understand the importance of saving for a rainy day. It is not a surprise to see that across the 26 markets surveyed, people in Hong Kong are one of the highest groups (60%) to indicate their saving patterns did not change.

“And likely because of their habits of saving and still having money in their pockets, consumers also admit they are checking prices of food items less often. Over half of those surveyed said they are behaving in the same way as they were six months ago.”

It’s not as bad as we think

What is the impact of the economic downturn to Hong Kong consumers? Findings show it is not as bad as we think. Hong Kong fared better compared to its closer neighbours in the region.

Sixty-eight percent of people in Hong Kong say they are earning the same amount as six months ago, with 24% indicating they are earning less. Earning levels in Korea (54% earn the same, 30% earn less), Japan (44% earn the same, 44% earn less), and Taiwan (40% earn the same, 43% earn less) seem to be more affected by the downturn.

When asked about impulse buying, 55% of Hong Kong consumers say they are shopping as usual.

Furthermore, 61% say they have not changed a major life decision, such as getting married, having a child, or changing jobs, due to the current economic situation.

View on Hong Kong’s economy

Many projections have been made on whether Hong Kong’s economy is starting to improve or will continue to go down. We asked respondents their view on this, and 48% believe the economy is going downhill and will get worse before it gets better, with more females (49%) agreeing to this than males (45%). Thirty-three percent believe the economy is in a bad patch but will quickly get better.

In November 2008, 25% of people across the globe said that they find the economy boring and don’t pay much attention. In May 2009, it was up to 29%. The highest agreement came from Hong Kong.

“Fifty-four percent of people in Hong Kong find the economy boring and don’t pay much attention. This really shows that people in the city are bombarded with news on the economy, and negative ones, every day and they are getting tired of it. Over time, people would wonder whether the economy is really as bad as it is projected. From the low of the Hang Seng Index at 10,676 points, to its peak at 23,369, we currently stand at around 20,000 points. Are we still in a financial crisis which echoes in the news everyday?” says Shair.

Recommendations for companies in the downturn

This survey finds Hong Kong consumers are very brand loyal. In addition to spending money as usual, consumers have not switched brands to get more for the same amount of money in the current economic situation.

A high majority indicate they will continue to use the same brand for staple food items (85%), hot beverages (82%), laundry and cleaning products (82%), dairy products (81%), soft drinks (79%), canned goods (78%), bottled water (75%), cosmetics (73%), healthcare products (72%), and alcoholic beverages (68%).

Shair concludes: “These numbers reinforce the idea that companies should continue to invest in building and maintaining their brands despite the downturn. A brand is one of the most important aspects that connect to consumers. By continuing with customer experience improvement and understanding which brand attributes appeal most to consumers, sales will keep rolling in.”

Gap is Narrowing Among the Mainland Luxury Markets

The 2009 China Luxury Forecast, jointly conducted by Ruder Finn Asia and Albatross Global Solutions, shows that the gap between the tier 1 and tier 2 luxury markets is narrowing. Consumers in tier 2 cities are becoming more mature in areas such as consumer perception and purchasing power. The survey interviewed 1,000 luxury consumers with an average annual income of RMB 240,000. Respondents from tier 2 cities in East, South, West and North China accounted for nearly half of the total sample.

Consumer confidence and purchasing power

Luxury consumption confidence on par: Despite the current economic situation, consumers in tier 2 cities show a strong capacity for luxury consumption, with 54.6% saying that prices have little impact on their optimistic view that their purchasing power will increase. This is only 4.3% lower than the proportion in tier 1 cities. When asked how confident they were about purchasing power over the next year, 36.6% of the respondents in tier 2 cities expressed confidence compared to 38.9% in tier 1 cities.

Smaller gap in purchasing power: In tier 2 cities, 74.9% of the respondents are likely to spend less than RMB 20,000 a year on luxury fashion and accessory items, which is slightly more than in tier 1 cities. Almost a quarter (23.5%) said they would spend between RMB 20,000 and RMB 100,000 a year on luxury fashion and accessory items, which is only 10% less than the number in tier 1 cities. The percentage of respondents spending between RMB 100,000 and RMB 200,000 a year is nearly the same in tier 1 and tier 2 cities.

When it comes to luxury watches and jewelry, 19.1% of respondents in tier 2 cities will spend between RMB 20,000 and RMB 100,000, only 3.7% less than those in tier 1 cities.

Purchasing triggers

Luxury goods as gifts for business: More than 80% of the respondents buy luxury goods for personal use. A small number or respondents purchase luxury goods as business gifts and this is three times more in tier 2 cities (7.6%) than in tier 1 cities (2.2%).

Brand comes first when considering a purchase: The level of luxury brand awareness is narrowing between tier 1 and tier 2 cities. Among all the measured factors, “Brand Reputation” was named as the most important factor by 75.3% of respondents in tier 2 cities, followed by “Brand Heritage”. In addition, some 46.6% of respondents in tier 2 cities said that they are loyal to certain brands, which is close to the percentage in tier 1 cities (47.2%), while Eastern tier 2 cities top the national list with 51.7%. As there are fewer luxury brands in tier 2 cities than in tier 1 cities and Hong Kong, the faster brands tap into the tier 2 markets, the easier it will be for them to build brand loyalty.

Point of Sales

Luxury department stores are the main channel for getting information: 64.5% of respondents in tier 2 cities said they sourced their information on luxury goods from leading department stores, 15% more than in tier 1 cities. The highest incidence of this is in East China where 70% are more likely to obtain information from salespersons in stores. In addition, 61% of the respondents said that a salesperson’s attitude would influence their purchasing decision while 54.6% said they would make a decision after carefully listening to the advice of sales staff.

Information Channels

Use of information channels similar: The results show that whether in tier 1 or tier 2 cities, the majority of the respondents get brand information from print media articles. Nearly 82% of tier 2 city respondents prefer to learn about new trends among the brands by reading about them in print publications, while some 20% say they get their information from television. Figures are similar for tier 1 city respondents.

Tokyo Kamon Girls of Shu Uemura

The newest skin care in collaboration with renowned manga artist and beauty expert Moyoco Anno, shu uemura introduces playful new packaging. Inspired by “Kamons” which are Japanese family emblems, Anime artist/fashion writer/beauty guru Moyoco Anno designed each product’s packaging to depict representations of playfully sophisticated and modern Kamon Girls characters influenced by the color of the cleansing oils.

Tokyo Kamon Girls

Tokyo Kamon Girls

Tokyo Kamon Girls

Tokyo Kamon Girls

Tokyo Kamon Girls

Tokyo Kamon Girls

The cleansing oil line feature five different formulations…

The High Performance Cleansing Oil Classic is the original cleansing oil by Shu Uemura. The bottle is designed with leaves and vines and a Tokyo Kamon girl named Tsuruha.

The High Performance Balancing Cleansing Oil Enriched is for skin that is dry and dehydrated. The bottle is an eye catching orange check pattern and adorned with a Tokyo Kamon girl named Tamaki.

The High Performance Cleansing Oil Fresh is a light cleansing oil that will leave skin looking and feeling refreshed. The bottle is girly pink with chrysanthemums and a sweet Tokyo Kamon girl named Sakurako.

The Brightening Cleansing Oil will leave skin even-toned, translucent and smoother. The bottle is designed with purple and green colour with a coquettish Tokyo Kamon girl named Katsura.

The Limited Edition Cleansing Beauty Oil Premium A/O is a best seller. It’s has anti-aging and anti-oxidant properties to thoroughly cleans and purify the skin. The artwork on the bottle is of an elegant Tokyo Kamon girl named Matsuno on a green background with red pine trees.

Shu uemura Limited Edition Tokyo Kamon Girls Cleansing Oils are available from the Shu Uemura website while supplies last. / Shu Uemura

Louis Vuitton : A Passion for Creation

Chief Secretary for Administration, Mr Henry Tang, at the opening ceremony of “Louis Vuitton: A Passion for Creation” exhibition at the Hong Kong Museum of Art said, “During my visit to Paris last year, we reached an agreement with LVMH to bring the “Louis Vuitton: A Passion for Creation” Exhibition to Hong Kong. I am delighted to be here tonight for the opening ceremony.”

“I encourage everyone to take advantage of the golden opportunity to see this spectacular collection of modern art by world-renowned designers, architects and artists. At the same time, works from several local artists will also be on display,” he added.

Symbol of elegance and exquisite French lifestyle, Louis Vuitton has maintained close links with the arts for more than a century and a half. Founded during the industrial era, Louis Vuitton has always been in step with its time, working with the best engineers, decorators and creators. Inventor of the art of travel, the man Louis Vuitton and his successors have forged a strong relationship between traditional know how and present day design.

The arrival of Marc Jacobs and artistic director in 1997 reinforced and underlined the link with artists. Exemplary collaboration with Stephen Sprouse, Takashi Murakami and Richard Prince has marked the history of the relationship between art and commerce. In Hong Kong, the Louis Vuitton and Art exhibition brings this exciting story to life, analysing the unique creative process through installations, where works of art and archive documents are brought together.

The Collection, a Choice
This exhibition of a selection of works from the Fondation Louis Vuitton pour la Création brings together a small number of significant large-scale works (paintings, photographs, video installations) by European, American and Chinese artists. These reflect an urban and energetic culture, leading to fictional landscapes, somewhere between dream and adventure.

Artists include: Jean-Michel Basquiat, Paul Chan, Cao-Fei, Yang Fudong, Gilbert & George, Dominique Gonzalez-Foerster, Andreas Gursky, Pierre Huyghe, Jeff Koons, Bertrand Lavier, Christian Marclay, Richard Prince.

Works by recognised and newly-discovered international artists working in the medium of video will be shown : Bas Jan Ader (Netherlands), Kader Attia, Cyprien Gaillard, Ange Leccia, Philippe Parreno (France), Olga Chernysheva (Russia), David Claerbout (Belgium), Trisha Donnelly, Ryan Trecartin (USA), Steve Mc Queen (Great Britain), Anri Sala (Albania), Zhou Tao (China), Rosemarie Trockel (Germany) among others.

In a developing open-minded spirit, the Foundation was eager to invite ‘emerging’ Hong Kong artists to take part in this exhibition with the help of a young art critic and curator who lives in China. / From Hong Kong Museum of Art

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